PELANGI PETANG CHORDS by Sudirman @ Ultimate- Guitar.
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A mighty, full- bodied, abundantly soulful, often quite rough choral attack that confronts you then sweeps you along like an unstoppable tide, swelling and breaking with incredibly powerful momentum. Once heard, never forgotten. You either love it or hate it, it seems; myself I love it, it's seriously addictive, and this CD gives me my fix! It brings us in its 7. Sacred Harp collection. And before you turn hastily to the next review, the word . Yes, shape- note singing is Fun!
As the liner notes point out, each . The hymns are positively belted out, with spirit and energy a- plenty and foot- thumping to mark rhythms - the atmosphere is potent indeed. Most individual selections follow the usual format of first . Satisfying though this is on its own terms, it's not quite in keeping with the rest of the selections. ![]() But no matter; the whole CD is a vibrant mix of the comparatively familiar (like Windham) and unfamiliar, consistently well sung, and for sheer rugged, full- throated joy (happy- clappy in the desirable sense!) this CD proves irresistible. Well that's what comes blastin' out of your speakers at the start of this sparky offering from Eilen Jewell and a handful of her like- minded chums. Prominent in the mix is a hard- driven slapped bass, with guitars, fiddle, banjo and drumkit all doin' their bit to propel the message forward. Eilen, you'll remember, gave us that memorable s/s album Letters From Sinners And Strangers last year, so she's no stranger to down- home hillbilly old- time gospel traditions. As you can hear on her earthy and committed handling of repertoire classics like Twelve Gates To The City, Travelin' Shoes and Hank Williams' Ready To Go Home (in this respect, it's a pity Eilen doesn't get to take the lead on a few more songs!). In other words, most of the complement are musicians from Eilen's own touring band, so they work well together and know just where they can take the music. . Comparatively well- trodden gospel favourites like John The Revelator, Jordan Is A Hard Road To Travel and Gospel Plow get a gutsy fresh coat of paint, while a less frantic country- blues treatment for Banks Of The River and Green Pastures proves a wise choice and the good ol' Titanic is given a solid reading too. Vocal duties are shared out among band members pretty equally, and there's not a weak link in there. It would seem from the press release that Daniel Fram has since left the band, though, which will leave a bit of a gap in the vocal department (he takes the lead on several numbers on the disc). So if you're in the mood for a set of uplifting gospel tracks that retain the oldtime vibe, well you don't have to have got religion to appreciate these vital, honest, down- to- earth and accessible performances.
Martin Carthy vocals, guitar Dave Swarbrick fiddle, mandolin. 1 High Germany 2 The Trees They Do Grow High 3 Sovay 4 Ye Mariners All 5 The Queen of Hearts. One thinks of Joe Cocker and Springsteen for example. This double set by the Toronto outfit isn't in that league, but it's still well worth a spin and a useful introduction for anyone yet to discover their Byrdsian jangles, bluegrass and psychedelic rock. Case also takes over the mike for a cover of Roger Miller's Home and her Sadies collaboration Hold On, Hold On while the Jayhawks' Gary Louris drops by to take charge of Syd Barrett's Lucifer Sam and their own Byrds do Dylan flavoured Tailspin while Canadian faves Blue Rodeo handle duties on You're Everywhere from their Casino album . It's rough and ragged, but you certainly get the sense of everyone having a good time hanging out and playing music together, there's even a set by the band's trippy stoner rock side project The Unintended. Fans will love it, the uninitiated might find themselves scouring the gig guides on the offchance. Those West Coast memories come flooding out again too with Translucent Sparrow suggesting the more country shades of Moby Grape with Jerry Garcia sitting in on fuzzy guitar. . It's not entirely successful, with Only You And Your Eyes never living up the promise of its jangling Beatlesesque opening and neither As Much As Such or Coming Back summoning any life or interest at all. But, mid- sectioned by gentle droned instrumental The Iceberg and rounded off with Robyn Hitchock taking over vocals for his own Why Would Anybody Live Here?, when it does work it's worth borrowing off a friend to take a listen.
May – The Golden Horse Film Festival and Awards are officially founded by the Taiwanese government. August 5 – Hollywood legend Marilyn Monroe is found. Introduction: Russian Cavalry. The Russian cavalry was formed of two types: regular and irregular. Picture: French carabiniers versus Russian hussars in the battle of. Hussar Ballad (Gusarskaya ballada) is a Soviet 1962 adventure comedy directed by Eldar Ryazanov. The story takes place in 1812, during Napoleon's invasion of Russia. The following are often-sung Irish folk ballads and folksongs. The songs are arranged by theme under two main categories of 'Politics and soldiering' and 'Non. Guinn blood transfusion on the opening See Myself, they actually come from the UK, rising from the ashes of frontman Michael Gagliano's previous outfit, Epic. . Come Make My Day and Sgt Pepperisms of the string laden Firebell Alley and you'll be hearing the Beatles inputs loud and clear, while, just to underline their English heritage, they even have a love song named after famed goalie Peter Shilton (. Now, another 1. 7 years on, comes her follow up, again produced by Chris Birkett and again recorded in her home studio using samples and programming, seems positively like a rush release. Of course, she's been a little preoccupied between times with her work as a Native American activist and for the Cradleboard Teaching Project, so a little time out's forgivable. . Already winner of a JUNO in Canada as Aboriginal Album Of The Year, it's licensed to Cooking Vinyl in the UK but for America, where it's due out in August, it will fittingly mark the 1. Appleseed label. . It opens in full blooded style with No No Keshagesh, a stinging attack on corporate greed (the title translates as Greedy Guts, as in those who consume their own and everyone else's too) in which, set to a driving tribal rhythm and 'powwow' vocals, she sings about those who've . In similar frame of mind, Blue Sunday's a rock n rolling homage to the young Elvis whose slap- back recording sound, she says, changed her life. Musically, it's probably the album's most inconsequential throwaway, but it still gets the blood jumping, and sounds like it was written to be felt live. The same holds true of I Bet My Heart On You, a ragged barrelhouse New Orleans boogie with Taj Mahal duetting on piano. . For the rest, she's in quieter, more melancholic, romantic or, on Still This Love Goes On's folksy homespun dreams of home, wistful mood. With a guitar line that echoes In The Ghetto, a notable highlight is Too Much Is Never Enough, a soaringly tender love song that showcases that Sainte- Marie warble while of no less merit you'll find To The Ends Of The World, a bluesy torch number that, deliberately or not, evokes Skeeter Davis classic The End Of The World, and the touching Easy Like The Snow Falls Down , a sort of Lean On Me dedicated to hospice workers helping families struck by dementia and Alzheimers. . Sainte- Marie has described how, in the 7. Red Power movements, had been blacklisted and effectively put out of business, Lyndon Johnson apparently writing letters in the 8. All the more poignant then to hear her sing America The Beautiful on which she gives the traditional national anthem a little twist with 'words and music Ind'n style' of her own. Hers may be a different drum, but it beats proud from sea to shining sea. . Fans and newcomers alike should seek out the special edition featuring hour long documentary A Multimedia Life which, through present day interviews (with herself and the likes of Eric Andersen, Joni Mitchell and Robbie Robertson), archive footage and photos, and live performance (including a vintage Universal Soldier) charts her background, life and career.
Chris While & Julie Matthews and Chris Leslie (a mouth- wateringly. It presents a brilliantly representative selection of items. SAF albums (some of which I've never even. But whatever, you can depend on a SAF treatment to. SAF are by turns joyful, respectful. And somehow there's always a. In addition to the half- expected. Also on that disc, by the way, we. Joni Mitchell's River and Steve Ashley's Spirit. Of Christmas, and an animated . Agnes' Fountain - Three Ships (Cuppity Records) . For the past three years, the St. Agnes' Fountain team (Chris While, Julie Matthews, Chris Leslie and David Hughes) has provided me with a must- have cheer- me- up antidote to the desperate commercial claptrap that has all but obliterated genuine celebration of the festive season. The series of albums released by this foursome have been one of the surprise hits of the decade, and each year I've marvelled anew at the way these musicians have come up with a fresh menu of festive- themed songs that's been at once exceedingly pleasing and creatively stimulating. Three Ships is this year's offering, and (as is now customary) is released in time for the crew's annual tour. It's a set of live recordings, mostly taken from performances on last year's tour, so those with fond memories of those evenings will find much delight in revisiting them. ![]() ![]() ![]() Un hombre solitario Especie en extinci. En el filme interpreta a Ben. El hombre solitario - Estoy muy contento, mam. Ya no te vas a tener que preocupar m. Hemos tenido mucha suerte al venirnos a este lu. El hombre solitario es una bestia o un dios? Puede que la relaciones con algo oscuro y terrible. No la considero algo negativo en s. De hecho, creo que puede ser beneficiosa en muchas ocasiones. 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Rod Serling (1924-1975) biography on Film Reference.FOOTBALL OUTSIDERS: Innovative Statistics, Intelligent Analysisby Mike Tanier. Two weeks ago, we examined how teams are using multi- tight end sets in the running game. As promised, we'll take a look at the passing game this week. Countless formations. After spending a few weeks studying game tapes, I'm impressed by the diversity of two- tight end packages that appear in the NFL. Teams like the Chargers, Cowboys, Colts, and Patriots have devised countless formations based around a simple personnel grouping: two tight ends, two receivers, and a running back. Graphing all of the variations would take hours and make this page scroll down forever: the two tight ends can line up on the same side or on opposite sides of the offensive line. Similarly, the receivers can be split or aligned to one side. Of course, receivers like Antonio Gates often line up in the slot, while the Cowboys sometimes use their tight ends as fullbacks. The formations sometimes seem as unique as snowflakes. Let's take a closer look at two alignments that have cropped up frequently during tape study. Figure 1 shows a formation that the Chargers and Cowboys frequently use. The initial alignment floods the left side of the formation with three eligible receivers, and no one split wide at the far side of the field. But pre- snap, the right tight end splits wide. Suddenly, what looked like a balanced run- pass formation looks much more like a passing formation. Defenses that place a safety over the right tight end as a force defender can be set up for a mismatch using this shift; most safeties cannot cover Gates or Jason Witten in space. Figure 2 shows another formation that several teams are using. ![]()
This one has also worked its way into video games in recent years, where it is called . They are practically wingbacks, just a few yards to the left and right of the box. The receivers in this formation are in great position to block for counters and off- tackle runs, but that's not why Ace Tight is gaining popularity. One receiver's route options are shown in the diagram. A cornerback aligned head- up on the receiver is vulnerable to a corner route, while a cornerback with a wider split (one who may have zone responsibilities) is vulnerable to a hitch. The tight formation gives the receiver extra room to run after he makes his break on the corner route or other sideline routes. The Tight Ends First Annual Bikini Contest is around the corner June 8th! Tickets go on sale soon! Be sure and come support your. In a few paragraphs, we'll see how the Patriots use this principle to isolate tight end Ben Watson against a safety. One common theme you will see in the figures that follow is that defenses frequently use two- deep coverage schemes to combat two- tight end formations. The threat of a deep seam route forces defensive coordinators to play it safe against players like Gates and Watson. In fact, while we won't see any completed seam passes in this week's diagrams, we'll see how the threat of the seamer opens up other options for the multi- tight end offense. Cowboys Double- Cross. Let's start reviewing game footage by analyzing a fairly standard play: a double- cross route combination designed to match up a great wide receiver (Terrell Owens) against a linebacker in zone coverage. The Cowboys face third- and- 5 inside the red zone in the first quarter against the Titans. They break the huddle and align in an unbalanced formation with three of their best receivers flooding the right side (Figure 3). Terry Glenn is closest to the sideline, with Owens in the slot. Both receivers are one yard off the line of scrimmage, allowing Jason Witten (right side) and Anthony Fasano (left) to line up as true tight ends. Marion Barber is the Cowboys running back; Drew Bledsoe is the quarterback. The Titans respond with their nickel personnel package and a two- deep zone look. Pre- snap, Glenn goes in motion across the formation. The Titans shift accordingly. ![]() Their right cornerback (remember, he's on the offensive left side) moves from a force position outside Fasano's shoulder to a split position over Glenn. The two defensive backs on the offensive right side shuffle until one is outside Owens' shoulder and the other occupies the space between Owens and Witten. The defensive adjustment confirms a Cover- 2 pre- snap read. Glenn's motion was also designed to disrupt any likely Titans blitz packages. ![]() NFL Draft 400: Ranking the Top Tight Ends for 2016 By Matt Miller, NFL Draft Lead Writer Apr 11, 2016. A look at the state of the Wisconsin Badger's wide receivers and tight ends ahead of fall camp. Tight Shoes is the ninth studio album by the classic rock band Foghat. It was released in 1980 on Bearsville Records. This was also the last release Rod Price. The force cornerback was a likely blitzer in the original formation, but by changing the number of eligible receivers on each side of the ball, the Cowboys forced the Titans to wave off any possible blitzes (though judging from the tape, the undermanned Titans weren't planning anything fancy on this play). Figure 3 shows the route combination. Let's examine each player's role. Glenn and Witten run the deep routes: Glenn a post into the end zone and Witten a seamer. Both routes are crucial. Glenn not only commands the attention of the safety to his side, but he also influences his cornerback to run with him up the stem of his route. His route essentially clears two defenders. Witten gets a fast, clean release to the outside. The nickel defender to his side takes a deep set before trading Witten off to the safety. The combination of deep routes creates a great deal of space underneath. Fasano, after chipping a defender on his release, runs a crossing route at a depth of about eight yards. He's probably the fifth read on this play. He has two jobs: to influence his linebacker to take a deep set, and to . On this particular play, the Titans are playing straight zone, but this play would be even more effective against them if they opted for a man- under scheme: Glenn would take his cornerback all the way to the end zone while Fasano wiped out Owens' defender. Owens, after an initial move outside, runs a very shallow drag below the linebacker level. Drag routes are designed to allow receivers to cross through multiple zones until they find a soft spot. On this play, there are many soft spots. Barber's shallow hitch freezes the middle linebacker. Fasano pulls linebacker Patrick Sirmon deep and toward the middle of the field. Owens times his cross well, running at about 3/4th speed so that Fasano, Barber, and Glenn have time to stretch their zones. Bledsoe also demonstrates good timing: Owens is running too shallow a route to pick up a first down without gaining some yards after the catch, so Bledsoe waits until Owens is just to the left of Sirmon before leading the receiver with the throw. Sirmon reacts, but he lacks the speed to bring Owens down before he turns the corner. Owens races for a first down before Sirmon and Hill drag him out of bounds. Three Tight Ends in the Passing Game. In the previous example, the Titans attacked the Cowboys' base two- tight end set with a five- man secondary. This was due both to the down- and- distance situation and the strength of the Cowboys receivers. Most defenses use their standard personnel grouping against a two- tight end, two- receiver package, though they may move a linebacker or two up to act as down linemen. But what happens when the offense shifts into a three- tight end look? Again, the defense's reaction varies, depending on the down, the distance, and the opponent. We generally think of a three- tight end formation as a running formation. But the Patriots are unpredictable when they switch to a three- tight end package. Opponents who would normally switch to a 4- 4 or 5- 3 defense (replacing a cornerback with an extra lineman or linebacker) are reluctant to do so against the Patriots. This benefits the Patriots' running game, but Bill Belichick's assistants are very clever about using multiple tight ends as weapons in the passing game as well. Diagram 4 shows a play that the Patriots used to gain 3. Bengals. The Patriots lined up on first- and- 1. Daniel Graham is on the right side, Ben Watson is on the left, and David Thomas is on the wing over Watson's shoulder. Watson is such a receiving threat that the Bengals don't dare switch to a run- stopping personnel package. Instead, they line up in a base 4- 3, with Tory James in the force position. For clarity, only three defenders are shown in the diagram: James, safety Kevin Kaesviharn, and linebacker Landon Johnson. The pre- snap read suggests two- deep zone coverage. What makes this formation so effective is that it creates a lot of open space on the left side of the field. James is pinched close to the line of scrimmage, giving him a lot of space to defend in the flat. Kaesviharn is in a typical deep set, but his first responsibility on a typical play from this formation is to defend the deep seam route by Watson. The Patriots have a different plan: they are going to attack the left sideline. Most teams don't have multiple tight ends with the speed to execute this play effectively, but the Patriots have three tight ends who can run deeper routes. Both Thomas and Watson get clean releases at the snap. Graham stays in to provide pass protection. Running back Laurence Maroney runs a flat route while Thomas and Watson run parallel stem routes. At about 1. 5 yards, Thomas runs an out route while Watson breaks for the corner. The receiver to the right side, unfortunately, is invisible on the television replays; let's just have him run a fly route. The flat route by Maroney forces James to take a shallow drop. James also reacts to Thomas' out route and finds himself in a no- man's land between two receivers. Johnson is also influenced by Thomas' route, leaving Watson to Kaesvahirn. The Bengals safety has no outside help when Watson runs his corner route, Watson has room to get separation because of the tight formation, and Tom Brady has time to allow the play to develop because of the six- man protection. The result is a big gain. The Patriots mix in their three- tight end look on early downs. The Cowboys only use it in traditional short- yardage situations. But opponents must fear the receiving threat of a player like Witten, even when they are trying to stuff a power run. Diagram 5 shows a third- and- short formation used by the Cowboys against the Titans. Witten is the wing to the left side. Современные Cимуляторы Автоматов В Интернете Бездепозитный Бонус 2016 С Выводом За Регистрацию1/23/2017 Интернет казино Net. Game - играй в лучшие игровые автоматы онлайн. Рано или поздно практически у каждого из нас возникает мысль сыграть в азартные игры, проверить свою удачливость или просто выплеснуть, таким образом свои эмоции. 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